The sleek and subtle 1-54 contemporary African art fair can be overlooked during London's Frieze Week. Smartly latching onto the larger fair without leaving its shadow.

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The yearly fair highlight, an installation by Moroccan artist Amine El-Gotaibi, greets you as you enter the 18th-century courtyard.

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In LOOTY, Nwaubani uses digital scans to copy ancient treasures like Benin Bronzes and the Rosetta Stone and return them to their original locations. Its satire sets the tone for the fair's concept of reclaiming Africa and Europe's art past.

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The bottom floor galleries had more elegant, decorative works and a younger, non-art-world population. These pieces could go on your living room wall.

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A staff worker suggested starting my fair tour on the ground floor in Somerset House's west wing, where figurative painting with African textile and fabric motifs is abundant.

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He creates geometric sculptures with amber light and smoke that look natural and otherworldly. They looked like spacecraft and sprinkled dates or kola nuts, while the mirrors inside mirrored people snapping selfies in broken glass.

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The yearly fair highlight, an installation by Moroccan artist Amine El-Gotaibi, greets you as you enter the 18th-century courtyard.

Source by google image